Cinematic Vision Rising
|
Still Images At
|
Apple ProRes
|
Operating Temperature Down To
|
24MP
|
5.2K
|
-10 C
|
The Zenmuse X7 is a compact Super 35 camera with an integrated gimbal made for high-end filmmaking that delivers stunningresolution and image quality. Its compatibility with the Inspire 2 offers the best in next-level professional aerial cinematography.A 24 MP CMOS sensor rated at 14 stops of dynamic range preserves astonishing detail and offers both 6K CinemaDNG and5.2K Apple ProRes* with support for continuous RAW burst shooting at 20 fps and 24 MP stills.
The X7 also introduces the DL-Mount, the world's first integrated aerial lens mount that allows switching between four availableprime lenses quickly. For seamless editing, a new DJI Cinema Color System preserves accurate colors for easier post-processing.These latest innovations allow filmmakers to reach new heights and capture scenes as they imagine them with the DJI Zenmuse X7.
Super 35 Sensor
The Zenmuse X7 is capable of shooting 6K video footage at 30 frames per second and 3.9K at 59.94 frames per second. The X7's Super 35 sensor has a high readout speed and also fully supports RAW output. The large sensor offers 14 stops of dynamic range and a higher sensitivity to light, in comparison to the Zenmuse X5S which has just 12.8 stops of dynamic range. The SNR of the Zenmuse X7 is 46 dN, 8 dN higher than the X5S, and has a tonal range that is up to 9.41 bits. With all of its enhanced features, users will have unlimited creative control and options for an overall improved workflow.
DJI DL-Mount System
Taking advantage of new FSI-Cu technology, the X7’s sensor features thinner interconnection, allowing light to reach the sensing area via alarger incident angle for increased photosensitivity. This enables amore compact lens mount to be used on this sensor while maintaining excellent image quality.The flange focal distance of the DL-Mount is less than 17 mm – roughly 1/3 of the size of a PL-Mount. Such a compact mount means that the X7 weighs only about 630 g with a lens included. Together, the X7 and Inspire 2 weigh around just 4 kg with the ability to capture the same challenging shots as more heavy-duty setups weighing up to 40 kg.
58 mm
|
16.84 mm
|
449 g
|
| Diameter |
Flange Focal Distance |
Weight |
DL Lenses
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16-50 mm and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.
| Lens |
DL-S 16mm F2.8 ND ASPH |
DL 24mm F2.8 LS ASPH |
DL 35mm F2.8 LS ASPH |
DL 50mm F2.8 LS ASPH |
| Weight |
182 g |
178 g |
180 g |
182 g |
| Max Aperture |
F2.8 |
F2.8 |
F2.8 |
F2.8 |
| Elements/Groups/ASPH elements |
13/12/4 |
9/8/3 |
9/8/3 |
9/7/2 |
| Close Focus |
0.40 m |
0.65 m |
0.85 m |
0.93 m |
| Front Diameter |
46 mm |
46 mm |
46 mm |
46 mm |
| Barrel Dimensions |
55 x 69.1 mm |
55 x 71.2 mm |
55 x 71.2 mm |
55 x 71.2 mm |
| Other |
Built-in ND |
Leaf shutter |
Leaf shutter |
Leaf shutter |
More Creative Flexibility
To unleash the X7's full potential, the CineCore image processing system on the Inspire 2 has been fully upgraded to CineCore 2.1.It is capable of recording 6K/30fps CinemaDNG and 5.2K/30fpsApple ProRes, leaving more creative options in post-production.
A brand new EI Mode has been integrated into CineCore 2.1, which can record high-quality footage at various levels of sensitivity. Additionally, the upgraded image processing system further reduces image artifacts and noise, preserving more details while adopting an improved dark level correction system for pro-level cinematic images.
Apart from improved image processing performance, CineCore 2.1 also features a new color system, giving professional filmmakers more creative flexibility in post-production.
A Game Changer From Shoot to Finish
The new color system consists of a new D-Log curve and a D-Gamut RGB color space. With professional cinematography in mind, the D-Log can encode 15 stops of dynamic range, two stops higher than the CineCore 2.0. Even in poor light conditions, the X7 can still preserve stunning detail in shadows and highlights, leaving more room for post-production creativity.
D-Gamut covers the entire DCI-P3 color space commonly used in film making. Tailored for aerial cinematography and stills photography,D-Gamut provides larger green tone coverage, delivering beautifu lgreen gradation for your shoots.
D-Gamut also offers optimized skin tone adjustment by moving these tones to their most suitable chromaticity, ensuring vivid colors are reflected from every inch of skin. By applying the dedicated 3D-LUT in color grading, skin tones will softly transition, even with wide exposure differences. When designing D-Gamut, we considered manual color grading, preventing skin tones from turning yellow when editing without 3D-LUT or color management.
